最远的距离
前言：想要写出一篇令人眼前一亮的文章吗？我们特意为您整理了5篇最远的距离范文，相信会为您的写作带来帮助，发现更多的写作思路和灵感。
最远的距离范文第1篇
______泰戈尔
以前我一直把泰戈尔的这句话当作至理名言，可是自从那天我看见了两条平行线的悲哀，我才明白最远的距离到底是什么。
他和她是两条平行线，他们之间只有1厘米。可是他们都只有默默的望着对方，因为他们是两条平行线。他们一直努力着，希望有那么一天能看到胜利的曙光射向他们，他们不停的向前伸啊伸，可是最后都还是有一厘米的距离再他们之间。直到有一天，他们明白了，他们之间的一厘米就是最远的距离。相隔这么近，却又不能相交，这种距离难道不远吗？
或许你一直和谁手牵着手，但你们的手心贴在一起了吗？不要小看那一厘米的距离，或许它就是最远的距离。就像是<<平行线>>这首歌中所唱到的：
我们像是两条平行线
永远不能坦白面对面
我在你的左边你在右边
没有交叉点
我们只是两条平行线
走多远都没有碰面的终点
最远的距离范文第2篇
is not the way from birth to the end.
it is when i sit near you
that you don`t understand i love u.
The most distant way in the world
is not that you`re not sure i love u.
It is when my love is bewildering the soul
but i can`t speak it out.
The most distant way in the world
is not that i can`t say i love u.
it is after looking into my heart
i can`t change my love.
The most distant way in the world
is not that i`m loving u.
it is in our love
we are keeping between the distance.
The most distant way in the world
is not the distance across us.
it is when we`re breaking through the way
we deny the existance of love.
So the most distant way in the world
is not in two distant trees.
it is the same rooted branches
can`t enjoy the co-existance.
So the most distant way in the world
is not in the being sepearated branches.
it is in the blinking stars
they can`t burn the light.
So the most distant way in the world
is not the burning stars.
it is after the light
they can`t be seen from afar.
So the most distant way in the world
is not the light that is fading away.
it is the coincidence of us
is not supposed for the love.
So the most distant way in the world
is the love between the fish and bird.
最远的距离范文第3篇
关键词：孤独 隔绝 电影语言
During the first-time reading, this short story immediately reminds me of the scenes in Wong Kar-wai’ movie: in a specific setting, usually a narrow space, the hero and heroine communicate with each other without much real contact; they seldom talk to each other; they just go about their own life. The communication is conducted by the details: color, minute movements, glances, all of which send the messages to each other.
But actually this story is quite different from Wong Kar-wai’ movie, which is full of beautiful women and handsome men and appeals to the social elite group with particular taste. The heroine in this short story is a fat girl, dubbed as Fat Maz, who is everything but pretty. However, this story do share a very important element with Wong Kar-wai’ movie: the theme of this story is the unbearable loneliness felt by people and how the character try to get out of his or her life of loneliness, just as the theme of most Wong Kar-wai’ movies.
Fat Maz is surrounded by people all day long, yet she seems to be the loneliest person on this planet. She works at her parents’ news agency. She has no friend, let alone a boy friend. Her father is an angry man, who does not seem to harbor much tender feelings for his little girl; Her mother is almost mute except for the drumming of the old radio, which is not even her own voice. They have raised Maz, and they feed her and give her a job. Yet they don’t pay attention to her. Conversations seldom occur when they are together. It’s like three of them are strangers living and working under the same roof. Finally, a tall dark man comes into her life. He reads a paperback novel called Distant Lands every lunch hour for fifteen minutes in the news agency. That is the highlight of the girl’s daily life. It may be a mystery even to the girl herself that which part of the man attracts her. Is it because that he is well-dressed, or that he’s been reading a book named DISTANT Lands, or that he comes to read when she is alone? Either way he becomes the object of her infatuation. She feels like he is the only person that is connected to her because they share something--the lunch-hour conspiracy. She lives in a prison called Solitude until he comes. He is under her wing during that limited time period. She even goes through a few crises for him, not that he knows. The blurb on the back cover of the book “You will want this book never to finish” speaks right into her heart. But everything has to end somehow. The Nescafe colored man turns the last page. The strange or ironic thing about this little crush is that they don’t actually exchange any words. The first time she tries to relax him by asking ‘interesting?’He does not answer and just pass the register with his eyes downcast. The last time he thanks her, tips her, and says goodbye to her. She says nothing. And he tips her like she is a waitress! She thinks they understand each other. But do they really have a tacit understanding? There is no doubt in the girl’s fantasy though. She winds around her finger with the long black hair left behind by the man, and she puts the starchy-new note between her breasts. She gets the sexual satisfaction with her fantasy. It’s hard to tell whether she is happy or pathetic at that very moment.
It’s like that she is living in an isolated distant land. No matter how hard she tries to reach, she touches nothing. The loneliness between the characters in this short story seems unbreakable.
And the author presents us this thought-provoking story by using a very simple but quite cinematic language. Just as said in the beginning of this essay, the reading of this story is accompanied by one scene after another in my mind, because the whole story goes like a movie being played. Sometimes I can even discern how the camera moves. The camera moves closer when the details are covered, and it stays still for a while when shooting some important details: his Nescafe hands, the gloss finish of his downpointed brow shining in the fluorescent light, the little snapping movement of his page-turning, and especially the facial expression when the girl they called Fat Maz watches the dark man leaving the last time.
最远的距离范文第4篇
世界上最遥远的距离读后感
总和别人说自己是游走在现实与理想之间的精灵，的确，短短数十字的《世界上最遥远的距离》便将我不可救药的拽进那情感的漩涡。现实生活中，虽然脚踩高跟鞋，可是性格依然倾向于男孩子一方，如果有必要，我会甩掉高跟鞋，赤脚飞奔，无所谓形象不形象，矜持不矜持。泰戈尔的这首小诗提醒着我骨子里流淌的仍然是小女子的血液，既然是女子便免不了多愁善感，伤春悲秋。发明“多愁善感”这个词的人一定阅人无数，具有无上的智慧，它如实的反映了一大部分人的精神状态。我想一个诗人的成功莫过于此，能够让读者如痴如醉。
世界上最遥远的距离不是空间上的距离，而存在于心与心之间。有时候，即使隔着一堵墙，一道门，一丛花，甚至面对面，可也只能止于此，无法再进一步的无奈，甚至只能做一个最熟悉的陌生人。表面是粉饰的平静，可心里的挣扎足能将两人掏空。我似乎可以想象到月上柳梢头，一个脸上有着月光照耀的文弱男子，青衫磊落，孑然独立于花廊下，深情款款的望着楼上的爱人，那眉间的愁绪，是他爱着的那个女子也抹不平的……
世界上最遥远的距离读后感
昨晚拿牛奶的时候，路过一个书摊，很多书都在打折。因为没带钱，只是很随意地在书摊前停留了一下，一眼就看见了宁财神写的一本书，书名叫《世界上最远的距离》，封面上的几句话，只看了一眼我就记住了：
世界上最远的距离，不是生与死的距离
而是我站在你面前，你却不知道我爱你
天呐!世界上最远的距离，居然是最近的距离。世界上最远的距离，不是用长度来衡量的距离，而是感觉的距离，不是两个世界的距离，而是心与心的距离。心灵一旦产生距离，即便是就在眼前，也恍如隔世，比生与死的距离还要远。
世界上最远的距离，是心灵的距离。就只隔着一层肚皮，居然就生离死别了。
心灵的沟通，心灵的感应，真的比生死都重要。
心如果有灵犀的话，不点也应该畅通的。
但愿，世界上所有相爱的人都没有距离!
世界上最遥远的距离读后感
因为自己的无知，于泰戈尔的这首著名的诗，却是在今天才得以知道原来是泰戈尔的作品，想想真是无地自容。若不是偶尔在博友的博客里面看到，恐怕这样的错误认识还会继续得以延续下去，想想都觉得害怕。一直以为不过是周星驰电影里面的一句经典的台词，却不料是泰戈尔的诗。
这深深地刺激了我，让我再一次充分认识到了阅读的重要性。对泰戈尔的印象，还只局限于大学时代的认识，知道他对五四中国文学的影响，却一直未曾读过他的作品，甚是遗憾。
今日细细地品读了他的这首诗，感触如下：
这首诗里面充满着哲理，句子非常美丽，从技巧上面来说，可以说是臻于完美，用了一虚一实两条线来写那种爱到深切的伤痛，前五段是写虚的，通过排比，针连的技巧，丝丝入扣地写出那种相思抽骨的绵绵不绝的痛，一步比一步更加深入，更加深刻，更加接近内心，更加感伤;后五段是写实的，通过对现实生活中那些具体的事物的描述，通过类比，把那些原本跟爱没有关联的事物，联系在了一起，把前面的那种写意，自然地移植到了具体的事物中来了，让本来不觉得伤悲的事物，让那本来很虚无缥缈的感觉，一下子就实在了起来，这种实在通过一连串的类比，在脑海中逐步形成了一种非常强烈的真实的感觉，最后归到了一个真实的环境，一个在天上，一个却深潜海底。
客观的说来，这是我看到的关于爱情的描述，写得最美丽的句子之一，但却不是我最喜欢的，呵呵，可能是跟自己对爱情的理解有关吧，最喜欢的爱情诗，应该是叶芝的《当你老了》，因为那是真实的，可以触及的平凡人的爱情。
世界上最遥远的距离读后感 韩令怡
也许是这样吧，人总是在不经意的时间里，会忽然喜欢上某种事物。无论是心情所致，还是已然在成熟的我。最近爱上了泰戈尔的诗。不得不承认，读书确是一种乐趣。那些文字总是能触及到心灵的深处，那些我自己都不曾体会过的地方。一首经常出现在年少轻狂的孩子口中的《世界上最遥远的距离》，早已被当成爱情的象征送给了“心仪”的对象。可实为浪费的是，却很少有人能静静的读出其中的韵味。
“世界上最遥远的距离，不是生与死的距离，而是我站在你面前，你却不知道我爱你……”，这样的字眼，总会有种莫名的忧伤。的确，爱情就像是生长在悬崖峭壁边缘上的花儿，想摘取就要有勇气。回头想想，也正是因为这份勇气的存在，才成就了许许多多刻骨铭心的爱情。从古至今，无论是《红楼梦》中的那情感的冲击和刻骨的烙印，还是金庸笔下的侠骨柔情、海枯石烂，都是永不磨灭的爱情真谛。
亲情犹如甘泉，无论何时，都会给你源源不绝的滋润;友情犹如阳光，只要你能用心面对，它便会温暖你的心灵。但爱情却会让你悲喜交加，有时苦不堪言，有时却乐不思蜀。人们常常会感到正如诗中所说“世界上最遥远的距离，不是明明知道彼此相爱却不能在一起，而是明明无法抵挡这种思念，却还得故意装做丝毫没有把你放在心里”。就是这般矛盾。所以，能把这样的心情写的如此真实明了，这也正是泰戈尔的细腻真切之处。
在我的理解中，这种在爱与被爱中来回穿梭的情感，虽是一种人生的归宿，但它更是一笔宝贵的人生财富，是一种能够打动人心的真挚。它使人生更丰富。
世界上最遥远的距离读后感
因为众说纷纭我不知道这首诗的作者是谁，最初是在网上看到它时，那一刻带给我的感触无法言语，时至今日，我的诉说也不能将我心之感受诉及一二。
我无法体味作者在写它的时候是怀着怎样的一种心伤抑或是怎样的一份执著的无奈。
的确，在这世界上，最远的距离不是天涯海角时间上的分离，也并非生离死别空间上的离别，而是，我在你面前，你无法感觉到我对你的仰慕与爱，那是我心里最坚定的情怀，那是我心灵最脆弱的伫地。那其中有着说不出的无奈看不见的伤痛，那种触之不到看之不见的距离横在你我之间。若是要问那距离到底有多远?我实在无法用尺度将它来丈量。
而当爱到极至的两个人，却因了世上客观存在的种种因素而不能在一起，那种明明深爱却还要用冷漠作装饰，嗅着彼此熟悉的气息捧着两颗跳动不已的心，嘴上却还在说着不爱你，情是热的、心是沸腾的，而说出的话语却是冰彻肌骨，那又是怎样的一种背后泪落的距离?
当孤独的你和我，于风雨飘摇中需要用彼此的体温来唤醒生命之时，却只可遥望不可相依，那种瞬间便逝的幸福成为此生永恒的记忆。飞鸟与鱼儿，一个在天，一个在地的无助，那可望而不可及的无奈，便成了这世界上最遥远的距离。
看得见他(她)，伸出的双手却拉不着他(她)。这有多远?
拉着了他(她)，却转瞬即失无法相依。爱人就在这里，却有如隔纱。这又有多远?
最远的距离范文第5篇
2、我爱你……为了你的幸福，我愿意放弃一切---包括你。
3、失望，有时候也是一种幸福，因为有所期待所以才会失望。因为有爱，才会有期待，所以纵使失望，也是一种幸福，虽然这种幸福有点痛。
4、世上最凄绝的距离是两个人本来距离很远, 互不相识, 忽然有一天, 他们相识, 相爱, 距离变得很近。
5、然后有一天,不再相爱了, 本来很近的两个人, 变得很远, 甚至比以前更远。
6、爱情使人忘记时间，时间也使人忘记爱情。
7、孤单不是与生俱来，而是由你爱上一个人的那一刻开始。
8、喜欢一个人，是不会有痛苦的。爱一个人，也许有绵长的痛苦，但他给我的快乐，也是世上最大的快乐。
9、两个人一起是为了快乐，分手是为了减轻痛苦，你无法再令我快乐，我也唯有离开，我离开的时候，也很痛苦，只是，你肯定比我痛苦，因为我首先说再见，首先追求快乐的是我。
10、凡事皆有代价，快乐的代价便是痛苦。
